Brendan Rendall is running every day until August to raise money to help save Chester Zoo.
Starting from June 4th, Brendan will be running a half marathon every single day of the month, before upping this to an inspiring full marathon a day for the whole of July.
And for a big finish, Brendan will then be running the 35 miles from Salford Quays to Chester Zoo on August 1st AND he’ll be doing it in fancy dress!
We had a chat with him to find out exactly why he’s decided to do this huge feat for a great cause.
Brendan has been running for a few years now, running the length of Malawi – which is 708 miles – in just 27 days back in 2016.
His love for running started off as a bet to run the Wilmslow Half Marathon in 2006. Prior to this challenge, Brendan had never run before, and instead ‘spent 10 years on the Manchester club scene’.
He began by running in the dark before work so no one could see, and he would run from lamppost to lamppost.
Since that time Brendan has improved massively, running the 2,474-mile width of the entire continent of Africa, from Coast to Coast in 2018.
These are just a few of the challenges Brendan has set himself over the years, continually pushing himself, his mind and body, out of his comfort zone. In doing this, he realised that ‘we are all capable of so much more physically and mentally’ than we think.
While completing his PGCE teacher training course at 37, he was diagnosed with dyslexia and attention deficit disorder. He says that running and the challenges he sets are to keep him concentrated and from getting bored.
During the lockdown, Brendan has been looking for inspiration for a challenge and then Chester Zoo put out the call to ‘Save Our Zoo’.
As a teacher, he explains that Chester Zoo is an incredibly useful educational tool for children and, like many of us, he spent many a time visiting as a kid.
He’s asking for people to give whatever they can to help save Chester Zoo, via his JustGiving page here, which has already raised £260 of the £10,000 target.
I asked Brendan for tips that he’d give to someone wanting to get into running, as his story of going from running in the dark to running and documenting his journey across continents is inspiring.
He said: “I never thought completing that first half marathon would lead on to me running Coast to Coast of Africa 2,474 miles in 2018.”
He continued: “It’s important to give whatever you do your 100%, don’t compare yourself to others and be the best you can be – I can’t recommend running enough.”
Well done Brendan!!!
Haunting images show harsh reality of life during World War II for the people of Manchester
A fascinating look at Manchester’s history…
It would be hard to imagine a book that resonates more with today’s uncertain times than Clive Hardy’s latest nostalgia offering – The Home Front – Britain 1939-45.
The unshakeable spirit of a kingdom facing unparalleled challenge shines through Hardy’s highly readable commentary coupled with inspirational images from Britain’s local and national newspaper archives, including the M.E.N.
The result is a hardback that encapsulates the hope rising from the ashes of blitzed cities, the engaging innocence and cheerfulness of child evacuees and the gritty determination of hard-pressed servicemen and women.
We see Dad’s Army volunteers ready to tackle crack Nazi paratroopers with broom-handles and Zulu spears from a long forgotten conflict, women working all hours to make munitions, and Land Girls keeping the wheels of agriculture turning.
There is no shortage of photographs from Manchester and the North West either in what is the ninth publication from Withington company iNostalgia Ltd.
The Christmas Blitz of December 1940 is covered in detail, along with the industrial output of Trafford that produced the hardware to fight the war.
Images include the manufacture of Rolls Royce Merlin engines for Spitfires, Hurricanes and Lancaster bombers at the Ford shadow factory in Eccles and barrage balloons being assembled at Gaythorn Gasworks.
There are scenes of jubilation as crowds celebrate VE Day in the centre of Manchester and street parties break out in the suburbs.
And there’s Belle Vue too. Manchester’s pleasure park never closed throughout the war as thousands sought to forget their woes for a few hours or more after entering the main gates on Hyde Road.
In The Home Front, Hardy takes us from the first stirrings of conflict right through to victory in Japan in August 1945. There is a wonderful mix of family memories and stories as well as the usual informed analysis from a seasoned researcher and writer.
Hardy actually started working on The Home Front well before Coronavirus first visited our shores. “I always wanted to gather together the extraordinary images from our newspapers during the war years”, he said. “Particularly our local newspapers.
“I’m full of admiration for the work of the Home Front photographers who portrayed the struggle and kept the nation informed – often at risk to their own lives”.
One photographer whose work is strongly profiled in the book is Daily Mirror cameraman George Greenwell, who took what are now regarded as iconic shots of St Paul’s Cathedral at the height of the London Blitz in December 1940.
“His images are breathtaking”, said Clive. “There’s one panorama from the dome of St Paul’s showing the statues of apostles silhouetted against the raging fires below. It was used right across pages 6 and 7 of the Daily Mirror on New Year’s Eve 1940”.
But it’s perhaps the images of everyday life that are the most stirring in Hardy’s book. Images like workers balancing precariously on the end of a tram track in the hope of prising a damaged rail from a bombed-out road to salvage it for the war effort.
Or the heart-warming picture of US troops stationed in England spending their own time and money taking children on a cinema trip in December 1943.
There are some fascinating chapters on entertainment and sport, not always covered in wartime memoires. Football was played, albeit on a limited basis, for most of the conflict.
There are jubilant images of Preston North End winning the 1941 Football League War Cup by beating Arsenal 2-1 in a replay at Blackburn’s Ewood Park, and Charlton Athletic playing Reading at The Valley.
Boxing matches were staged on the deck of the Queen Mary moored in Liverpool in October 1941 and the annual Derby horse race transferred from Epsom to Newmarket.
Greyhound racing was hugely popular as it was accessible to everyone. Home-raised dogs could compete with the best on tracks throughout the country.
Hardy includes all the wartime entertainment icons – Wigan’s own George Formby, Flanagan and Allen, Tommy Handley and Vera Lynn to name but a few – as well as providing insight into the BBC Home Service and less familiar shows that toured local theatres.
He also takes an intriguing look at wartime censorship as well as morale-boosting photos that were really not what they seemed – possibly the ‘fake news’ of their day!
In an interesting piece of detective work, Hardy shows how a George Greenwell image of air raid warden Percy Dale helping a Blitz victim in 1940 was in fact a staged shot superimposed on a photo of London’s Paternoster Row in flames.
It was like the famous picture of a London milkman making his way through the rubble to deliver milk, again in 1940. The milkman was actually the photographer’s assistant.
Whatever their genesis, the images did their job.
So too will this book. It could just be the ideal gift for this most unusual of Christmases.
‘The Home Front – Britain 1939-45’ is now on the sale with a special pre-order price of £14.99 – including UK postage and packing. You can get it online from iNostalgia here, or call the order hotline on 01928 503777.
Incredible old Coronation Street photos give rare behind-the-scenes glimpse of the soap in the ’60s
A trip down memory lane…
There were some extraordinary sights to behold when photographers gained access to the hallowed set of Coronation Street half a century ago.
Not least was prim and proper Annie Walker, landlady of the Rovers Return, lying down on a bed with husband Jack – in broad daylight too!
Campaigner Mary Whitehouse would have had a fit!
But it was all perfectly innocent. Actress Doris Speed was taking a break from filming to brush up on her script while fellow actor Arthur Leslie was catching up on forty winks.
It was just one of many insights into everyday life on the set at the nation’s favourite soap in April 1968.
Street stars were snapped in the canteen, in make-up, relaxing in the rehearsal room and even at home.
We saw what the wooden sets looked like from behind the TV façade. Even the famous front of the Rovers was an inside prop without a cobblestone in sight.
The front doors and twitching curtains on the Street were shown to be little more than flimsy panels bolted on to scaffolding.
It was just about enough to look convincing on low resolution black and white TVs. But at least the curtains were real!
The outdoor set was only built in 1968 – eight years after Coronation Street was first aired in December 1960. Before then, everything was on the inside.
To mark the occasion, Granada organised a cast publicity shot celebrating the wedding of Dennis Tanner (Philip Lowrie) and Jenny Sutton (Mitzi Rogers).
Included in the line-up with the newlyweds were Annie Walker (Doris Speed), Ena Sharples (Violet Carson), Emily Nugent (Eileen Derbyshire), Valerie Barlow (Anne Reid), Ken Barlow (William Roache), Len Fairclough (Peter Adamson) and Elsie Tanner (Pat Phoenix).
All the TV shots were on a tight angle, so it was impossible to see the end of the scaffolding clearly visible behind the happy couple on the small screen.
Originally the houses on the interior set were built to three-quarters scale. Actors had to walk more slowly than usual to make the houses look normal.
Everything was shot inside because early production techniques made it difficult to record and edit sequences filmed in different locations.
The studios at Granada were not big enough for the entire street to be built in one section, so it had to be split into two halves.
The pavements and cobbled street were painted on to the studio floor!
In spite of the limitations and cramped conditions, some the Street’s most dramatic scenes were filmed there – including the collapse of Number 7 due to a faulty beam in 1965.
There was more tension two years later when Ena Sharples was buried under the rubble of a train crash. There was an agonising wait to see if the Street stalwart was alive or dead.
Fortunately she was dug out by Dennis Barlow and later discharged herself from hospital to stride back into the Rovers as bold as brass.
The new outside set was built on railway sidings near the Granada studios. The TV storyline said it was due to the demolition of the Mission Hall and Elliston’s raincoat factory, and the building of maisonettes opposite the terrace.
The actors called the new set ‘the coldest place on earth’ because the wind was naturally funneled directly down the street. Filming outside was rare anyway as it was far more expensive than interior shots.
It was a lot more cosy inside in the corner shop counter and lounge, complete with a battery of stage lights and cameras.
It was cosier still in the canteen where Margot Bryant, who played the wonderful Minnie Caldwell, was pictured queuing up with her tray.
Taking her turn in make-up was Eileen Derbyshire who played Emily Nugent, the longest-standing female character in the serial.
Emily first appeared on screen in January 1961 and only left in January 2016 after a stint of 55 years.
The 1968 set fared less well. It became the New York Street on the Granada Studios tour but resurfaced occasionally in Coronation Street.
The first time was in 2004 when it doubled as the Davenports car dealership where Sally Webster had an affair with her boss Ian Davenport.
It was also the strip club where Lloyd Mullaney met Cheryl Gray and the nightclub where Kylie Platt was working in 2012.
An almost full-size street exterior was finally built in the Granada backlot in 1982 – and was officially opened by the Queen.
If you enjoyed this head over to the iNostalgia website here for more interesting tales about Manchester’s history.
Artist creates haunting post-apocalyptic images of Manchester
This is so spooky…
We’ve probably never been as close to an actual ‘apocalypse’ than this shoddy year…
James Chadderton is a British mixed-media artist who works consistently on creating apocalyptic landscapes.
They often show nightmare-inducing scenes of cityscapes that blend the line between reality and fiction.
James takes inspiration from dystopian films and video games, drawing the viewer into a crazy alternative reality.
Using famous Manchester landmark he turns the urban landscapes into haunting post-apocalyptic scenes.
Not only does it give us an insight into what the world might look like after an apocalypse, it gives you the chance to let your imagination run wild and wonder how and why.
James’ portfolio includes work for Manchester legend Peter Hook, who he designed the cover of his EP 1101/2011 for. He’s also even worked with EA on the Battlefield franchise.
His work has been displayed up and down the country but now you can have it in your very own home.
He’s also done images of London, Liverpool and even the iconic Blackpool tower.
You can see more images here and even buy one for your house!