Feature
Five things a scientist wants anti-vaxxers to know about coronavirus vaccines
The most common myths debunked
A medicine cell biologist has cleared up some of the popular vaccination myths.
Hundreds of thousands of people are being vaccinated daily across the UK with a plan for 13.9 million people to have their first dose by mid-February.
This accounts for 21% of the population, currently (figures are from January 18th, 2021), 6.1% of the population have had their first dose, according to Public Health England.
However, there are a number of people not convinced about the safety of the vaccination. In the UK, the Centre for Countering Digital Hate suggests 5.4 million people believe in the ‘anti-vaccination movement’.
The anti-vaccination movement is based upon three major claims – all of which remain unsupported by facts: ‘Covid is not dangerous’, ‘vaccines are dangerous’ and ‘experts cannot be trusted’.
HuffPost UK spoke to UCL medicine cell biologist Dr Jennifer Rohn to debunk vaccination myths that are currently circulating.
MYTH: ‘Vaccines alter your DNA’
Some rumours have circulated that the vaccine can modify your DNA, this is not only not physically possible but also not backed by a single piece of evidence, like many of the anti-vaccination myths.
Jim Corr, guitarist of Irish group The Corrs, wrote on Twitter: “The vaccine is a novel experimental RNA vaccine which will alter the very DNA of the recipient.”
The key problem with this statement is that it not only represents a complete misunderstanding of how vaccines work, but it is being Tweeted by a ’90s pop star who has no scientific or medical qualifications.
Firstly, DNA and RNA are different things. DNA is a long molecule containing unique genetic code – what we call genes – that are responsible for development, function, growth and reproduction of proteins in each cell of the body.
RNA is of a similar structure however it essentially tells the proteins how to behave. It does this in three ways, including acting as a messenger between DNA and proteins. Here it is called ‘messenger RNA’, known as ‘mRNA’.
Dr Rohn explains that those made by Pfizer and Moderna are mRNA vaccines that use a part of Covid-19’s RNA to tell our cells to produce antigens. The antigens are then recognised by the immune system and prepare it to fight coronavirus.
RNA cannot physically change the coding of DNA, Dr Rohn confirms.
Instead, she thinks people are confusing vaccines with gene therapy, an experimental technique that can be used against cystic fibrosis and some cancers but – crucially – has nothing to do with vaccines, how they are developed or how they work.
MYTH: ‘You don’t need the vaccine if others have one’
Back to unqualified musicians on Twitter for such rumours, like Ian Brown, who tweeted: “So if you want a vax and you believe it works and you’ll be protected then you wont mind if i dont have one because you will already be protected. [sic]”
Firstly, the former Stone Roses singer has no scientific or medical qualifications.
Secondly, not everyone can be vaccinated, some have compromised immune systems and others are undergoing certain medical treatments and cannot safely take the vaccine. These people will be relying on the wider population to take the vaccine and therefore indirectly protect them.
Herd immunity, however, is typically only achieved when 70-90% of the population is vaccinated.
Dr Rohn says: “It’s quite a shocking thing to say: ‘I’m going to sit back and reap the benefits of vaccination without actually getting the vaccine myself.
“I think that’s completely selfish because not everyone can get vaccinated. There are people who are too vulnerable and they’re immunocompromised and they’re relying on everyone else to do the right thing.”
MYTH: ‘Vaccines contain tissue from aborted foetuses’
This rather horrifying myth is completely untrue. Dr Rohn explains: “You would never put human tissue into a vaccine because it might cause an immune reaction that you don’t want.”
Where the confusion lies, she believes, is with the fetal cells that were used in the early 1960s from legally and electively aborted fetuses for research purposes.
These cells have been reproduced over the years to provide a consistent genetic make-up for conducting vaccine research.
Dr Rohn says: “There are cell lines that we use in the lab all the time that are derived from stem cells.
“Some of them are 50 years old and they’re an essential part of the research arsenal. It’s not like we’re going out and aborting foetuses to do research on them.”
The mRNA vaccine is synthetic and made from a DNA template in a lab, such as the Moderna vaccine – a synthetic vaccine sequenced in a lab. The AstraZeneca vaccine, however, used the cell line from an aborted fetus to develop the vaccine.
Even the seriously anti-abortion Catholic Church said ‘one is morally free’ to use the vaccine if it has been developed using the cell line, despite its historical association with abortion. They add: “This is especially important for parents, who have a moral obligation to protect the life and health of their children and those around them.”
To be clear though – none of the Covid-19 vaccines contain cells from aborted fetuses.
MYTH: ‘Vaccines cause autism’
There is zero scientific evidence to back up this anti-vaccine and ableist conspiracy theory.
This myth is believed to be based upon a fraudulent paper from 1998 that has now been retracted due to clear evidence of falsification of data.
Simply put – vaccines absolutely, scientifically do not cause autism. Anti-vaxxers should also consider why they think so negatively of autism.
MYTH: ‘The vaccine isn’t safe because it’s been developed so quickly’
The Pfizer/BioNTech Covid-19 vaccine smashed the previous record for vaccine development from four years to under one. ‘Understandably, there is concern’, Dr Rohn explains.
Adding: “Usually it takes 10 years and this time it’s taken 10 months, so of course people are going to wonder if any shortcuts have been taken.”
However, the speed at which the vaccine has been developed is simply due to the amount of money and effort put in – the UK alone spent £6 billion to develop and procure the vaccine.
Additionally, vaccine development did not start from scratch. Dr Rohn says: “There’s been an enormous amount of groundwork on these prototypes so we were quick off the mark from a research point of view.
“The actual trials are taking a long time and that’s where nothing is being compromised.
“No reputable regulatory body will approve this without a completed and successful series of clinical trials.”*
*This interview was done before any vaccine was rolled out in the UK.
On vaccine misinformation, a government spokesperson said: “Letting vaccine disinformation spread unchecked could cost British lives.”
They added: “We continue to work closely with social media firms to promote authoritative sources of information so people have access to vaccine facts not fiction.”
See the government’s Covid-19 vaccination guidance here.
Feature
Retired teacher turned world’s oldest battle rapper stars in new documentary
She only meant to try it once, but now she’s a pro
A teacher from Greater Manchester who took early retirement and went on to become a battle rapper is now the star of a new documentary.
Joy France is a 66-year-old from Wigan who came across battle rapping around five years ago, shortly after taking early retirement from teaching to embark on a new direction in life.
Don’t be fooled though, beneath the warm and friendly appearance Joy will tear you apart with her brutal freestyle battle raps in front of all your friends – if you dare take her on.
After a series of life events, Joy decided to take early retirement from teaching so she could spend some time on herself to do the things she wanted to do, on a journey of self-discovery.
“I gave myself a year to discover, to enjoy this new found creativity that was to do with spoken word and I performed at festivals, and did all sorts of things for a year,” Joy told us.
But during that time, she was having far too much fun to go back to her old life, explaining: “And then I was meant to be sensible and get some supply work and be ‘grown-up’ again.
“But what happened was, I was chatting to somebody who had a little theatre – that used to be attached to Afflecks – about my year and I remember saying to him that I’d had three Residences and was appointed Creator in Residence that year at a charity shop.
“Then this guy said, ‘do you know what, Afflecks could do with a Poet in Residence. You should go and chat with the manager’.”
Thinking it would be a great idea, Joy arranged to sit down with the manager of Afflecks. She explained: “What came out of my mouth wasn’t planned.
“I said, ‘I’m going to tell you what Afflecks needs. You need a Creative in Residence – somebody who will celebrate and promote creativity of all kinds. And what you should do is give them an empty space on the quietest floor in the quietest corner, rent-free, that they can just go in and basically just invite people in to be creative and see what happens’.
“And he turned to me and said, ‘Okay, I’ll give it to you for three months, will you do it?’ I was like, ‘Okay’.”
She’s now been Creative in Residence at Afflecks for eight years.
Then, after turning 60, Joy decided to try 60 new things: “That could be anything from trying a new food, to holding an owl – I’m going with somebody to do some spray painting graffiti art, so that’ll be added to my list.”
On the events that led her into the unlikely route of battle rapping, Joy explained: “It started out I was still really quite shy into my mid 50s and then I found performance poetry and started writing songs and found my voice.
“And then I had a room in Afflecks, where I’ve been Creative in Residence for the last eight years.”
And it all went from there.
Joy showed her poems to someone at Afflecks who suggested she tried rapping – another new thing to tick off her list.
She went on: “It wasn’t like a sudden Ctrl+Alt+Delete, but there was a series of events that meant that I changed my attitude to life.
“So, instead of worrying about what people felt, and just doing what people expected me to do, you know? There were a couple of bereavements that were pivotal.”
About what it’s like to freestyle battle rap and her discovery of that world, Joy said: “It’s very intense and the battles are brutal.
“I stepped into that world thinking it was everything that I hated. I thought it was misogynistic and homophobic.
“And, you know, my intention was to see whether I had the guts and the ability to do it, so that people would look at people like me differently. What happened was, you know, people just accepted me as me.
“And all my preconceptions about that world turned upside down. It really is a lovely community, I’ve got some really good friends there. Young men talk about mental health and there’s just a mix of amazing people.”
Joy says she was meant to ‘run away’ from battle rapping and ‘only do it once’, but she’s done it several times now and plans to do more.
But her journey doesn’t stop there, as she’s now become the star of a new documentary, ‘Joy Uncensored’, available for free on YouTube by Northern Heart Films, directed by Natasha Hawthornthwaite.
The short film documents Joy’s story of how she entered the world of battle rapping and was released on August 11th this year.
Natasha came across Joy in her creative space at Afflecks in 2017 and was fascinated by Joy’s outlook on life. She approached her, and having been asked by many filmmakers before, Joy decided to say yes to Natasha.
There was something ‘different’ that she ‘liked’ about her, compared to all the other people that had previously approached her. Joy says Northern Heart Films have done ‘a really good job of capturing how scary [battle rapping] is’.
‘Joy Uncensored’ has gone on to win the Audience Awards at the Hebden Bridge Film Festival and the Wigan and Leigh Film Festival, and Best Documentary at Women Over 50 Film Festival and Beeston Film Festival.
Joy is now looking forward to heading to New York next year to compete in another battle rap. She’s also still trying even more new things, breaking ‘the stereotype’ and challenging herself.
“You know, somebody’s teaching me DJing at the moment, I might be the worst DJ in the world. But at least I’ve given it a go,” she added.
Head over to Afflecks some time and go up to the top floor – you might just come across Joy at work in her creative space.
Feature
Owner of iconic Tommy’s House of Fires in Old Trafford, Tommy Dolan, passes away at 72
His son TJ shares with us a look back on his dad’s life
Tommy Dolan, a Manchester businessman and owner of the iconic Tommy’s House of Fires in Old Trafford, has passed away at age 72, his family have said.
Paying tribute to his dad, his youngest son TJ Dolan, 36, shared with us the incredible story of a man he described as ‘a very well loved, known and respected character’, adding: “They simply don’t make people like these anymore.”
Born to Irish immigrant parents in 1951, Tommy started his early life living in Eccles before moving to Hulme where he grew up, considering himself a ‘Hulme lad’ — long before the concrete estates were built.
A keen businessman in the making, he would run errands for a local gentlemen’s club getting cigarettes and was also Sir Matt Busby’s paperboy.
Tommy never took any exams and left school at 16 to begin working at the prestigious Piccadilly Hotel, where he worked his way up while living in-house at the hotel, in the heart of Piccadilly Gardens during the ’60s.
Still at the hotel but in a new found career path, he became an Olympia (London) prestigious award winning chef – where he got to shake hands with stars including Muhammad Ali and even cooked for David Bowie’s 21st Birthday.
After spending time as a chef he decided to start-up what became the well known Manchester chip shop chain ‘Ye Olde English Chippy’, which eventually had 13 stores in total located all over Manchester — including Moss Side, Salford, Chorlton and Burnage.
He also opened a two-storey 24-hour chip shop in Piccadilly Gardens below the hotel where he had lived and worked at as a teenager.
Fancying a change of direction and leaving the chippies behind he thought, ‘Why sell potatoes when I could sell marble?’ — setting up the iconic Manchester institution that is ‘Tommy’s House Of Fires’ in Old Trafford.
Tommy sold fireplaces to almost everyone in the North West including the rich and famous (and infamous), as well as various footballers – being so close to Old Trafford.
It was at his Old Trafford shop where he once sold a fire to ‘Firestarter’ the late Keith Flint from The Prodigy, before going on a three-day bender with him where he was spiked with LSD.
TJ told us: “He would drive Cruella de Vil’s car from 101 Dalmatians to work as his daily car.”
Tommy’s bizarre, huge and well known advertising campaigns over the years attracted the national press in the ’90s: ‘FREE SEX (with every 100 fires sold)’ and ‘TOMMY’S GETTING A DIVORCE – (come get it before she gets half)’.
In real life, he was never actually getting a divorce but the displays landed him in all the major newspapers.
TJ recalls: “I remember my mum taking me to school and loads of camera men flashing and asking her what did she think of her husband advertising their divorce… which she replied, ‘I’m not f*****g getting a divorce, I’m going to school’, and off we went.
“His iconic and ridiculous ‘YUL save plenty’ signs of his face superimposed on Yul Brynner in ‘the king and I ‘ were lost on anyone born after the ’70s but are hilarious nonetheless.”
About his childhood and growing up around his dad, TJ fondly remembers: “Nothing was ever normal. There was never a dull day, you know? I mean, it was always fun. There was always something going on. It was chaos.”
On other links to the stars, TJ told us his dad ‘drank with George Best in Phil Lynott from Thin Lizzy’s mum’s shebeen’.
Looking back at his life, it is clear to see Tommy was known and loved by many locally for his humour and sociable nature.
They had ‘nothing but good stuff to say about him’, TJ said. He added: “Everybody thought he had a twin brother because he’d be seen in like three or four different places in one day.”
On losing his beloved dad, TJ continued: “Nothing is ever going to be the same. He loved life and he added joy, you just can’t replicate that. I still keep thinking I’m going to see his car with his music blasting at 100. He just gave zero f***s.”
TJ shared some of his dad’s favourite quotes, that he often repeated, including ‘It’s all b***ocks’, ‘There’s nothing fair in life other than the fairground’, and ‘Life is funny – but it’s funnier being Tommy.’
Tommy passed away unexpectedly in his sleep last month. He leaves behind his wife of over 50 years Judy and his four adult children, Emma, Anna, Danny and TJ.
For anyone wishing to pay their respects to Tommy, his funeral will be held on Tuesday August 22nd at St John’s in Chorlton at 12pm. The wake will be held at The Woodstock in Didsbury at 2pm.
As TJ says: “A remarkable story of a man that started with nothing, no education and lived truly to the max.”
RIP Tommy, Yul be missed.
TOMMY DOLAN: 23.2.51 – 9.7.23
Feature
Man recreates iconic film and TV scenes across Manchester and the North West
The results are truly delightful!
A young creative photographer decided to travel the world finding exact locations from movies to blend scenes into pictures.
Film Student Thomas Duke, 24, had the creative and imaginative idea of blending pictures taken from scenes perfectly with their real-life surroundings, which started out just as a hobby born from a passion for film.
The film enthusiast says he enjoys ‘the world of movies and storytelling’ and so stepping through scenes ‘felt like a more visceral way to escape from reality’.
He’s now created hundreds of images to the point he’s lost count, saying: “There was a time where I counted each one but then I stopped as there started to be far too many. The beauty is that there is a never-ending supply to visit.”
On his favourite matches he’s created, Thomas revealed: “I have to say Pixar! Ratatouille in Paris and Luca in Italy to name my favourite spots.
“Animation is fun as there’s such a different dimension to it – there are no REAL filming locations for the cartoons of course, and so it’s wonderful to experiment and try with all of those scenes – it gives me a little more freedom to see what can work.
“Plus, Paris and the Cinque Terre are simply stunning to explore.”
On the spookiest and most realistic he continued: “Probably Dunkirk; the place and the film – for obvious reasons. The scenery has hardly changed and the history remains as visceral and surreal to explore in-person.
“The film was a triumph in telling such a story and so stepping through that location was more than just a film location, it was truly like stepping through history.”
On a destination he hasn’t yet done but could be on the cards for future shots to add to his collection, Thomas commented: “I would love to visit the other-worldly world of Iceland to explore Interstellar.”
“The landscape was used as a stand-in for multiple planets in the film due to its stunning visuals and unique atmosphere,” he continued.
According to Thomas, the process he goes through to capture movie moments on location is actually ‘really easy’: “I just watch the scene very carefully to spot any street signs or recognisable landmarks etc and then I head on out to the spot. If it’s a bit harder to find, then it takes longer but I’m always very determined.”
The process usually takes him from one day to one week depending on the location he is travelling to.
Asked what scenes are particularly hard to recreate the photographer explained that a ‘beach scene is always hard due to the wind blowing the piece of paper around’.
Adding: “One particularly hard shot has been from Skyfall when Daniel Craig is running to jump on the back of the tube carriage. That was a fun one!
“I had to sort of crouch down on the tube platform for hours just waiting for the perfect timing and train to line Craig up with running. It was also so hot down there!”
Thomas takes inspiration for the film scenes he recreates by leading ‘with a passion and love for the film or story,’ as he continued: “That’s the key. Otherwise, what’s the point really?
“Those that have a beautiful message behind them draw me in. Something like ‘It’s A Sin’ had me bawling my eyes out. It was an important story and one that motivated me to head up to Manchester to celebrate it on my own accord, not as a paid project.
“I’m sometimes guided by what’s upcoming in the cinema space too, if there’s a new Marvel film, for example, then I may go and do a related location!”
Thomas has come a long way since the very first creation he made, the photographer recalled: “It was the scene with Daniel Craig and Ben Whishaw sitting by some paintings – those paintings have since been swapped out and so that scene is impossible to recreate properly now!
“Other scenes I started with is the whole Cornetto Trilogy [Shaun of the Dead, Hot Fuzz, The World’s End] which have been a joy to celebrate – all being UK based in London, Somerset, and then Welwyn Garden City.
“I’m based in Hertfordshire and so that led to so many possibilities with so much being filmed here.”
On why he loves what he does, and where he’s heading to next, Thomas added: “Every day is different and it gives me an excuse to travel while celebrating something I love – movies and television.
“Maybe [I’ll be] still doing this, maybe not. Perhaps [I will do] something in television/presenting…or writing about film in a different capacity.”
You can see what Thomas is up to next on his @steppingthroughfilm Instagram page.
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